Die 1911 Traditional Match Elite ist eine Fullsize-Pistole im Two-Tone-Design mit einem Stahlverschluss im Stainless Finish und einem schwarz beschichteten Stahlgriffstück. Die Match Elite bietet Stainless-Bedienelemente, eine verstellbare Target Visierung und Holzgriffschalen von Hogue. Zu ihren Features zählen ein Stahlgriffstück und -verschluss, ein traditionelles Verschlussdesign, Rosenholzgriffschalen, eine verstellbare Target-Visierung und ein skelettierter Abzug.
100% 1911er, 40% weniger Munitionskosten! Die 1911er in klassischem Design im beliebtesten Kurzwaffenkaliber Europas. Stainless Steel Finish, mit fein einstellbarer Mikrometervisierung, Sportabzug, Matchlauf und ergonomisch optimierten Details. Ideal für die IPSC Classic Division.
Mary Eliza Isabella Frere (1845-1911) was an English author of works regarding India. She is most famous for her beautiful retellings of Indian fairy tales. Punchkin is a traditional fairy tale about a Rajah with seven daughters. When he remarries, the princesses´ stepmother is determined to do away with the girls and make her own daughter the heir to the throne. A series of adventures and trials follows which leads to the overthrow of an evil magician. 1. Language: English. Narrator: Cathy Dobson. Audio sample: http://samples.audible.de/bk/redd/001647/bk_redd_001647_sample.mp3. Digital audiobook in aax.
The history of C&A is paradigmatic of the economisation and rationalisation of the production and sale of clothing since the late nineteenth century. Mark Spoerer describes the historical ups and downs of this Dutch family business from its beginnings in Germany through the post-war German ´´economic miracle´´. He investigates how the Brenninkmeijer family´s traditional policy of recruiting new business leaders from its own ranks influences the company´s long-term strategy. In 1841, the brothers Clemens and August Brenninkmeijer, who had gotten their start in the itinerant garment trade in Westphalia, founded a business in the Netherlands that would expand to Germany in 1911 and to Britain in 1922. Despite the difficulties the Brenninkmeijers encountered as foreigners, capitalists and Catholics in the Third Reich, they exploited those chances opened up by the Nazi regime, including the ´Aryanisation´ of property. After 1945, the company experienced furious growth with the rise of a new consumer society, developing into one of Europe´s largest fashion retailers.
This edition of Rackham´s images, widely regarded as the greatest representations of Wagner´s drama, comprises 64 full-page color illustrations and 9 vignettes from ´´Siegfried, The Twilight of the Gods, The Rhinegold, ´´and ´´The Valkyrie.´´ ´´His pictures, which seemed to me then [aged 13] to be the very music made visible, plunged me a few fathoms deeper into my delight. I have seldom coveted anything as I coveted that book.´´ ? C.S. LewisBefore portraying Wagner´s ´´Ring,´´ Arthur Rackham (1867?1939) had become England´s leading illustrator through his interpretations of fairy and fantastic books: Grimm´s Fairy Tales, Rip van Winkle, Peter Pan in Kensington Gardens, A Midsummer-Night´s Dream. With his insight into elves, twisted oaks, and bearded heroes, Wagner was the logical step: with the ´´Ring,´´ Rackham brought his talent for ethereal watercolor and line into new realms of adult mythology.This edition reproduces, in full color, all 64 watercolor illustrations from Siegfried & The Twilight of the Gods (1911) and The Rhinegold & The Valkyrie (1912). The original English and American editions also contained black-and-white vignettes and tailpieces, a selection of which appear here: the original text, a dated English translation of the libretto, has been replaced by comprehensive descriptive captions and an introduction by James Spero.Rackham poured all his mature fancy into the ´´Ring.´´ The gnarled Nibelung Alberich sports with teasing Rhinemaidens, fiery Loge and lordly Wotan tussle with giants and serpents. An ecstatic Brünnhilde is finally consumed on Siegfried´s funeral pyre in perhaps the most successful representation of this scene anywhere, either graphically or theatrically. Wagner´s Teutonic forests and caves give Rackham free reign for his brooding, haunting nature backgrounds; characters, costumes, and all the tiny details are painted with such textual accuracy and empathy that today´s opera companies who wish to return to staging the ´´Ring´´ in the traditional manner turn to Rackham´s paintings for guidance.The painstaking reproduction of these artworks brings Arthur Rackham´s most heroic visions to the many collectors and admirers who cannot obtain the expensive out-of-print editions. With the aid of the clear captions, the Wagnerian cycle may be followed once again in its most time-honored and rich interpretation.